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English to Bulgarian translations [PRO]
Art/Literary - Music / jazz | | English term or phrase: straight lead | Интересува ме как точно се превежда в контекста на:
"Any time you play straight lead, you just as hot as anybody"
и предвид, че сатва дума за свирене на корнет или тромпет.
Благодаря! |
| xxxOrlanKudoZ activityQuestions: 64 ( 5 open) ( 1 without valid answers) ( 1 closed without grading) Answers: 0
| Local time: 22:02
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| | основната мелодия | Explanation:
Смисълът на изречението е, че за да се покажеш като добър джазмен не е нужно непременно да импровизираш върху основната тема или мелодия; качествата ти могат да си проличат и когато просто я изсвирваш както е в оригинала.
lead
The melody or top part of an arrangement; a part played by a lead trumpet, lead alto saxophone, etc.
http://ccnmtl.columbia.edu/projects/jazzglossary/l/lead.html
Armstrong - like his namesake Louis - is identified with majestic cornet playing, rich in subtlety and power. Pearce's spiralling contributions around his straight lead were a joy. Louis, Morton and Waller favourites rubbed alongside a reflective solo piano outing Cryin' My Heart Out For You and Jolly From Monday On.
http://www.lifepartner4u.com/user/blogs/view/name_goodteache...
"His range is literally the same as Maynard's, and he is playing lead an octave over the others much of the time. When he's not doing that he's playing straight lead. The rest of the time he plays solos-sensitive and extremely musically solos."
http://www.seeleymusic.com/chase/story.htm
In dance work the cornet would stay on the melody, or lead. The clarinet would play obligato, second, or side melody. The trombone played third or the bass part.
. . . . .
Keppard was getting away from playing straight lead. He was the first of the ‘get off’ cornet then — getting away from the melody, more like the clarinet.
http://www.doctorjazz.co.uk/jstcyrjj.html
One of his many assets was Louis' refusal to dominate ensemble work with fussy brash demonstrations of technique. His mentor, King Joe Oliver once told him: "If a cat can swing a lead and play a melody, that's what counts." Louis never ignored the advice, although as Leonard Feather once commented what might constitute a straight lead from Armstrong would sound alike an exquisite jazz solo by the standards of others."
http://aln2.albumlinernotes.com/Hot_Fives___Sevens_Vol_3.htm... |
| Selected response from:
invguy
Bulgaria
Local time: 22:02
| Grading comment | 4 KudoZ points were awarded for this answer |
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| Discussion entries: 0 |
|---|
Automatic update in 00:
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18 mins confidence:  
15 hrs confidence: peer agreement (net): +1 основната мелодия
Explanation:
Смисълът на изречението е, че за да се покажеш като добър джазмен не е нужно непременно да импровизираш върху основната тема или мелодия; качествата ти могат да си проличат и когато просто я изсвирваш както е в оригинала.
lead
The melody or top part of an arrangement; a part played by a lead trumpet, lead alto saxophone, etc.
http://ccnmtl.columbia.edu/projects/jazzglossary/l/lead.html
Armstrong - like his namesake Louis - is identified with majestic cornet playing, rich in subtlety and power. Pearce's spiralling contributions around his straight lead were a joy. Louis, Morton and Waller favourites rubbed alongside a reflective solo piano outing Cryin' My Heart Out For You and Jolly From Monday On.
http://www.lifepartner4u.com/user/blogs/view/name_goodteache...
"His range is literally the same as Maynard's, and he is playing lead an octave over the others much of the time. When he's not doing that he's playing straight lead. The rest of the time he plays solos-sensitive and extremely musically solos."
http://www.seeleymusic.com/chase/story.htm
In dance work the cornet would stay on the melody, or lead. The clarinet would play obligato, second, or side melody. The trombone played third or the bass part.
. . . . .
Keppard was getting away from playing straight lead. He was the first of the ‘get off’ cornet then — getting away from the melody, more like the clarinet.
http://www.doctorjazz.co.uk/jstcyrjj.html
One of his many assets was Louis' refusal to dominate ensemble work with fussy brash demonstrations of technique. His mentor, King Joe Oliver once told him: "If a cat can swing a lead and play a melody, that's what counts." Louis never ignored the advice, although as Leonard Feather once commented what might constitute a straight lead from Armstrong would sound alike an exquisite jazz solo by the standards of others."
http://aln2.albumlinernotes.com/Hot_Fives___Sevens_Vol_3.htm...
| invguy
Bulgaria
Local time: 22:02
Native speaker of:  Bulgarian
PRO pts in category: 12
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| Changes made by editors |
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| Jan 18, 2011 - Changes made by invguy: | | Created KOG entry | KudoZ term => KOG term |
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