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Charlie Rouse, the tenor saxophonist, had to be content with the minimum of solo work; mostly he followed Monk's right hand in the opening sections of each piece and faded rapidly from the scene. Analysed bar for bar each man probably got his fair whack but was totally unable to counteract the brooding figure loping distractingly in the background" http://century.guardian.co.uk/1960-1969/Story/0,6051,105533,...