Login or register (free and only takes a few minutes) to participate in this question.You will also have access to many other tools and opportunities designed for those who have language-related jobs (or are passionate about them). Participation is free and the site has a strict confidentiality policy. English to Polish translations [PRO] Art/Literary - Art, Arts & Crafts, Painting | | English term or phrase: one rule of composition | | What is one rule of composition, and how is it applied to photography? |
| wrasz1KudoZ activityQuestions: 785 ( 11 open) ( 1 without valid answers) ( 13 closed without grading) Answers: 98
| Local time: 17:02
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| | Selected response from: Hanna G United Kingdom
| Grading comment dzięki 4 KudoZ points were awarded for this answer |
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25 mins confidence:  
23 mins confidence:   naczelna/kardynalna zasada kompozycji
Explanation: Tak bym przetłumaczył to, z czym spotkałem się z w książce o malarstwie: The Simple Secret to Better Painting: How to Immediately Improve Your Work with the One Rule of Composition, można o niej zajrzeć w Amazon (link poniżej)
-------------------------------------------------- Note added at 55 mins (2011-12-03 00:43:00 GMT) --------------------------------------------------
Autor pytania nie odpowiedział na pytanie annabc dotyczące pochodzenia cytatu. Coś mi się wydaje że pochodzi z webquestu Intela? A odpowiedzią jest "rozebranie" idiomu ukutego przez Grega Alberta dotyczącego niezachowywania identyczności interwału kompozycyjnego (następny jego idiom?) jako naczelnej (excuse me) dominanty kompozycyjnej.
Reference: http://www.amazon.com/gp/product/1581802560?ie=UTF8&tag=ebob...
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| Reference: ref.
Reference information: In the book entitled “The Simple Secret to Better Painting” Greg Albert introduces what he calls the one rule of composition. The rule is simple and easy to remember but has to be thought about to be applied effectively. The rule is:
Never make any two intervals the same
The key to understanding this rule is to accept that Albert uses the term “interval” very broadly. Intervals most typically refer to the spacing between things as measured in time or space. This is true of painting when it comes to the distances between objects but it must also be applied to shapes, groupings, lines, values, colors, intensities, and contrasts. It can be applied to almost all aspects of composition.
The one rule works because variation in a composition makes a painting more interesting. Take, for example, the placement of the center of interest. We have all heard of the rule of thirds.
http://sgvarts.blogspot.com/2010/06/tip-one-rule-of-composit...
| Polangmar Poland Native speaker of: Polish PRO pts in category: 59
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