Italian: grande cratere apulo a volute a figure rosseEnglish translation: Apulian red-figure volute crater or krater 
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| GLOSSARY ENTRY (DERIVED FROM QUESTION BELOW) | | Italian term or phrase: | grande cratere apulo a volute a figure rosse | | English translation: | Apulian red-figure volute crater or krater | | Entered by: | paolamonaco |
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Italian to English translations [PRO]
Art/Literary - Archaeology | | Italian term or phrase: grande cratere apulo a volute a figure rosse | maybe a voluto - really bad copy.
From a list of reperti archeologici..... |
| | | Apulian red-figure volute crater | Explanation:
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Note added at 57 mins (2006-03-29 17:19:58 GMT)
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Apulo= dell'antica Puglia, Apulian (Diz. Sansoni 2 volumi)
cratere: grande vaso a bocca larga in cui i greci mischiavano acqua e vino da servire ai banchetti= crater or Krater ((Diz. Sansoni 2 volumi)
voluta: elemento decorativo geometrico, curvilineo o spiraliforme=in questo senso volute (Diz. Sansoni 2 volumi)
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Note added at 58 mins (2006-03-29 17:20:53 GMT)
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or red-figure volute crater from Apulia
http://www.google.it/search?hl=it&q=Apulian+red-figure+volut...
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Note added at 20 hrs (2006-03-30 12:33:19 GMT)
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Aggiungo parte di due articoli tratti dall'enciclopedia Britannica sperando che ti possano essere utili. Buon lavoro. Paola
Krater, also spelled CRATER, ancient Greek vessel used for diluting wine with water. It usually stood on a tripod in the dining room, where wine was mixed. Kraters were made of metal or pottery and were often painted or elaborately ornamented. [...]
Kraters are large, with a broad body and base and usually a wide mouth. They may have horizontal handles placed near the base, or vertical handles rising from the shoulder. Among the many variations are the bell krater, confined to red-figure pottery, shaped like an inverted bell, with loop handles and a disk foot; the volute krater, with an egg-shaped body and handles that rise from the shoulder and curl in a volute (scroll-shaped form) well above the rim;
Attic black-figure and red-figure.
[...]
In these centuries (c. 750-c. 480 BC) most of the more important vases were painted either in the black-figure or in the slightly later red-figure technique, so that some explanation of the essential difference is necessary. The red-figure style can be compared with a photographic print, the black-figure with a negative. The latter figures were painted in silhouette in glossy black pigment on the orange-red polished surface. Details were indicated by incised lines and by the occasional use of white and purple, the female figure, especially, being painted in white. Decoration on the red-figure vases was first outlined in black; the surface outside of the outline was then completely covered by the black pigment, leaving the figures reserved in red. Details were added in black, and in dilutions of the black pigment that appear as brown; purple is occasionally found at first but dies out in mature red-figure work. The use of white was revived on the gaudier vases of the 4th century, where yellow brown, gold, and even blue are sometimes used. The forms of Attic black- and red-figure, in the course of centuries, were limited to certain well-defined types, such as the amphora, kylix, krater, and hydria. (see also Index: red-figure pottery)
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| Selected response from:
paolamonaco
Italy
| Note from asker to answerer| 4 KudoZ points were awarded for this answer |
|
54 mins confidence:   peer agreement (net): +1 |
| Apulian red-figure volute crater
Explanation:
...
--------------------------------------------------
Note added at 57 mins (2006-03-29 17:19:58 GMT)
--------------------------------------------------
Apulo= dell'antica Puglia, Apulian (Diz. Sansoni 2 volumi)
cratere: grande vaso a bocca larga in cui i greci mischiavano acqua e vino da servire ai banchetti= crater or Krater ((Diz. Sansoni 2 volumi)
voluta: elemento decorativo geometrico, curvilineo o spiraliforme=in questo senso volute (Diz. Sansoni 2 volumi)
--------------------------------------------------
Note added at 58 mins (2006-03-29 17:20:53 GMT)
--------------------------------------------------
or red-figure volute crater from Apulia
http://www.google.it/search?hl=it&q=Apulian+red-figure+volut...
--------------------------------------------------
Note added at 20 hrs (2006-03-30 12:33:19 GMT)
--------------------------------------------------
Aggiungo parte di due articoli tratti dall'enciclopedia Britannica sperando che ti possano essere utili. Buon lavoro. Paola
Krater, also spelled CRATER, ancient Greek vessel used for diluting wine with water. It usually stood on a tripod in the dining room, where wine was mixed. Kraters were made of metal or pottery and were often painted or elaborately ornamented. [...]
Kraters are large, with a broad body and base and usually a wide mouth. They may have horizontal handles placed near the base, or vertical handles rising from the shoulder. Among the many variations are the bell krater, confined to red-figure pottery, shaped like an inverted bell, with loop handles and a disk foot; the volute krater, with an egg-shaped body and handles that rise from the shoulder and curl in a volute (scroll-shaped form) well above the rim;
Attic black-figure and red-figure.
[...]
In these centuries (c. 750-c. 480 BC) most of the more important vases were painted either in the black-figure or in the slightly later red-figure technique, so that some explanation of the essential difference is necessary. The red-figure style can be compared with a photographic print, the black-figure with a negative. The latter figures were painted in silhouette in glossy black pigment on the orange-red polished surface. Details were indicated by incised lines and by the occasional use of white and purple, the female figure, especially, being painted in white. Decoration on the red-figure vases was first outlined in black; the surface outside of the outline was then completely covered by the black pigment, leaving the figures reserved in red. Details were added in black, and in dilutions of the black pigment that appear as brown; purple is occasionally found at first but dies out in mature red-figure work. The use of white was revived on the gaudier vases of the 4th century, where yellow brown, gold, and even blue are sometimes used. The forms of Attic black- and red-figure, in the course of centuries, were limited to certain well-defined types, such as the amphora, kylix, krater, and hydria. (see also Index: red-figure pottery)
| paolamonaco
Italy
Specializes in field
Native speaker of:  Italian
PRO pts in category: 14
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