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00:51 Jul 2, 2001 |
Spanish to English translations [PRO] Art/Literary | |||||||
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| Selected response from: Brigitte Gendebien Belgium Local time: 15:21 | ||||||
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Summary of answers provided | ||||
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na +2 | Greimasian |
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na | Greimasian |
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na | Greimas |
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Greimasian Explanation: Have a look at this page: http://www.stanford.edu/dept/HPS/TimLenoir/SemioticTurn.html I think it may be related to your text, and they definitely talk about grids (your cuadros, I suppose). The above term is also from this page. Hope it helps! as above |
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Greimas Explanation: "Es un semema cada «acepción» de un lexema (p. 43-45), o de un «paralexema» (p. 38) -el paralexema de Greimas corresponde más o menos al sintema de Martinet. Greimas no propone un término especial para designar en común el lexema y el paralexema, como lo hace el «tema» de Martinet. Retomo pues este último que me es particularmente util ya que el objeto perceptivo puede corresponder indiferentemente a un lexema o a un paralexema (sintema), pero únicamente por el lado del significado y con una sola acepción (y aquí el único término que se nos ofrece es el «semema» greimasiano)." Sorry, Berni, just more pretentious crap but I hope it helps! This comes from an essay on Christian Metz. |
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Greimasian Explanation: From Algirdas Julien Greimas http://fr.encyclopedia.yahoo.com/articles/g/g0003295_p0.html The foundations of narratology were laid in such books as Vladimir Propp's Morfologiya skazki (1928; Morphology of the Folk Tale), which created a model for folktales based on seven “spheres of action” and 31 “functions” of narrative; Claude Lévi-Strauss's Anthropologie structurale (1958; Structural Anthropology), which outlined a grammar of mythology; A.J. Greimas's Sémantique structurale (1966; Structural Semantics), which proposed a system of six structural units called “actants”; and Tzvetan Todorov's Grammaire du Décaméron (1969; “The Grammar of the Decameron”), which introduced the term narratologie. (http://www.britannica.com/eb/article?eu=137818&tocid=0) Examples: The key discipline, forJackson, is semiotics, in particular Greimasian semiotics. Greimasian semiotics provides a theoretical structure within which the construction of sense can be located, according to Jackson. (http://www.chass.utoronto.ca/epc/srb/srb/legal.html) An elision has taken place between actants as non-human in the Greimasian sense and actants as extra-linguistic entities in the world. Apart from my inability to find a satisfying discussion of how we get from Greimas's world of texts and narratives to the world of collective entities, quasi-objects, and nature-culture discussed in Latour's most recent essays and his latest homily, We have Never Been Modern, my concern is that, in the form of a grid of pre-existing competences and roles, we are being provided a map and potentially a set of taxa which specify certain types of actors and narratives, and with this we are back to the old ground of realism and representation. ... (http://www.stanford.edu/dept/HPS/TimLenoir/SemioticTurn.html... In taking up the problem he has set himself, Cooren draws on a formidable arsenal of resources, including speech act theory and its interpretations, Greimasian narrative theory, rhetorical theory, and the translation theory of Latour and his associates. (http://wordtrade.com/Philosophy/philosophy_of_linguistics.ht... Reference: http://bocc.ubi.pt/pag/fidalgo-quadrado-semiotico1.html Reference: http://www.hacker-editores.com.br/livros/detalhes/detalhes_s... |
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