 Member since Mar '12
Working languages: Italian to English
French to English
|  Holly Carlile
Legal, business, finance, tourism & more
Milano, Lombardia, Italy Local time: 09:34 CEST (GMT+2)
Native in: English  | | |
Freelancer,  Verified member | | Translation, Editing/proofreading | | Specializes in: | | Law (general) | Law: Taxation & Customs | | Law: Patents, Trademarks, Copyright | Law: Contract(s) | | Business/Commerce (general) | Certificates, Diplomas, Licenses, CVs | | Tourism & Travel | General / Conversation / Greetings / Letters |
| Also works in: | | Advertising / Public Relations | Finance (general) | | Government / Politics | Investment / Securities | | Marketing / Market Research | Internet, e-Commerce | | Education / Pedagogy |
More Less | Italian to English - Rates: 0.06 - 0.10 EUR per word / 15 - 30 EUR per hour
French to English - Rates: 0.06 - 0.10 EUR per word / 15 - 30 EUR per hour
| | EUR | | Questions asked: 19 | | Wire transfer, PayPal | Sample translations submitted: 3 | Italian to English: ELUSIONE TRIBUTARIA: LA CASSAZIONE FA IL PUNTO | Source text - Italian
Novembre 2008
Una recentissima sentenza della Corte di Cassazione allarga la nozione di elusione tributaria (Cass. 17 ottobre 2008, n. 25374, disponibile sul sito ww.cortedicassazione.it).
La sentenza è un punto di riferimento importante per chi deve prendere decisioni fiscalmente rilevanti.
E' inoltre una decisione che si segnala anche all'interesse generale, perché riconosce la cogenza, al di fuori della materia tributaria, del divieto di abuso delle forme.
I principi fondamentali affermati dalla Corte di Cassazione
Secondo la Corte di Cassazione nel nostro ordinamento tributario esiste una norma non scritta, di origine comunitaria, che vieta di ricorrere a pratiche abusive per finalità di risparmio di imposta.
Per giungere a questa conclusione la Cassazione si è rivolta alla Corte di Giustizia CE chiedendo di confermare e rifinire il concetto di abuso del diritto già oggetto del leading case Halifax (Corte di Giustizia 21 febbraio 2006, C-255/02, disponibile alla pagina http://curia.europa.eu/jurisp/cgibin/form.pl?lang=it).
Nella sentenza Halifax la Corte di Giustizia aveva affermato che per pratica abusiva si deve intendere la struttura negoziale formalmente rispettosa delle norme scritte ma in grado di procurare un vantaggio fiscale contrario agli obiettivi che le norme perseguono (cfr. per una più ampia elaborazione del concetto, Corte di Giustizia 21 febbraio 2006, C-255/02 cit.).
[........]
Il presente documento è una nota di studio, perciò quanto nello stesso riportato non potrà essere utilizzato od interpretato quale parere a base di transazioni, utilizzato, o preso a riferimento, da un qualsiasi soggetto, dai suoi consulenti legali o per qualsiasi diverso scopo che non concerna un’analisi generale delle questioni in esso affrontate.
La riproduzione del presente documento è consentita purché venga citata la fonte.
| Translation - English
Tax Avoidance: The Court of Cassation takes stock of the situation
November 2008
A very recent verdict from the Court of Cassation has widened the notion of Tax Avoidance (Cass. 17 October 2008, no. 25374, available online at www.cortedicassazione.it).
The verdict is an important point of reference for those who have to make important tax decisions.
It is above all a decision that also appeals to general interest, as it recognizes the obligation, outside of tax matters, of the prohibition of abuse of law.
The Court of Cassation's main fundamental judgments
According to the Court of Cassation, an unwritten norm, of European origin, exists in our tax system which prohibits resorting to abusive practices in order to make tax savings.
To reach this conclusion the Court of Cassation referred to the Court of Justice of the European Communities, asking them to confirm the concept of abuse of rights which was already the subject of the leading case Halifax (Court of Justice, 21 February 2006, C-255/02, available online at http://curia.europa.eu/jurisp/cgi-bin/form.pl?lang=en ).
In the Halifax verdict the Court of Justice had declared that the concept of abusive practice must be interpreted as a transaction formally respectful of the written norms, but able to obtain a tax advantage contrary to the aims pursued by the norms (for further elaboration on the concept, please refer to the Court of Justice of the European Communities, 21 February 2006, C-255/02 cit.).
[........]
This document is an office memo and so cannot be reproduced, used or interpreted for legal advice, either used or taken as reference, by any person, legal consultant or used for any other aim that does not concern a general analysis of the questions dealt with herein.
The reproduction of this document is permitted provided the source is quoted.
| | Italian to English: The Performance Lab | Source text - Italian
Dal 16 al 19 luglio 2009 in un accogliente agriturismo “Burgazzi”, località Borla (Pc). Ottima cucina tradizionale e vegetariana.
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Hoffman Soto, stretto collaboratore fin dal 1978 di Anna Halprin, ha sviluppato "The Performance Lab" negli ultimi 15 anni al Tamalpa Institute di San Francisco. Insegna anatomia del movimento presso il New College of California, e tiene corsi in Europa, Australia e Nuova Zelanda.
Anna Halprin, pioniera della danza contemporanea e della danzaterapia, fondatrice del San Francisco Dancer's Worshop. Ha fondato nel 1978, con sua figlia Daria Halprin, il Tamalpa Institute, San Francisco.
The Performance Lab si articola in tre giornate di lavoro intenso, dalla mattina fino al tardo pomeriggio ed esplora vari aspetti del lavoro creativo e terapeutico. Nello specifico si basa sullo studio del movimento rituale, del metodo Life/Art Process e delle tecniche della messa in scena (Performance).
Movimento Rituale:
Approccio sistematico al movimento creato da Anna Halprin al San Francisco Dancer's Workshop. Si pratica a terra ed intende sviluppare la consapevolezza corpo/mente, la flessibilità, la fluidità e la longevità.
Life/Art Process:
Letteralmente "Il processo tra la Vita e l'Arte".
E' un percorso artistico, creativo e terapeutico che utilizza vari medium artistici quali il movimento, come linguaggio del corpo, il disegno come forma visiva delle emozioni.
Performance:
Lavoro sulla messa in scena attraverso l'uso del movimento, della voce, della parola. I partecipanti sono incoraggiati ad attingere alla propria storia e ai miti personali.
Informazioni generali:
Il seminario si rivolge a danzatori, attori, educatori, terapeuti e a tutti coloro che sono interessati al movimento, suono, parola come possibilità creativa/terapeutica
Il seminario avrà inizio la sera di giovedì 16 luglio 2009; dalle ore 17,30 è prevista la registrazione dei partecipanti, alle ore 19,00 la cena d'incontro seguita da una presentazione del lavoro e del conduttore
Domenica 19 Luglio il seminario si concluderà nel pomeriggio.
Quote e modalità d'iscrizione entro il 31 maggio:
(escluse le spese alberghiere)
4 giorni € 220,00 - 3 giorni € 190,00 - 2 giorni € 150,00
Dopo il 31 maggio:
4 giorni € 250,00 - 3 giorni € 220,00 - 2 giorni € 180,00
pagamento tramite bonifico bancario intestato all’Associazione TeatroDanzaSolaria, (per le coordinate contattare la stessa associazione). Le iscrizioni si chiudono il 30 giugno 2009
Agevolazioni per chi ha partecipato all’edizione 2008.
La quota per la sistemazione presso l'agriturismo parte da un minimo di 50.00 ad un max di 65.00 in base alla sistemazione
La pensione è completa, escluse le bevande tipo vino o birra
Le prenotazioni sono gestite direttamente dall'Associazione TeatroDanzaSolaria, i partecipanti sono pregati di comunicare al più presto le proprie richieste relative alla sistemazione alberghiera.
La partecipazione è a numero chiuso. Le domande di adesione verranno accettate in ordine d'iscrizione, soprattutto per quanto riguarda le camere con bagno privato.
Per saperne di più:
www.sotomotion.com
www.annahalprin.org
www.tamalpa.org
www.agriturismoburgazzi.it
Per informazioni sul Seminario:
Kyria 347.3592738
www.solariateatrodanza.org
| Translation - English
16th - 19th July 2009 in a welcoming "agritourism" farm holiday centre "Burgazzi", in the resort of Borla, Piacenza. Excellent traditional and vegetarian cuisine.
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Hoffman Soto, close collaborator of Anna Halprin until 1978, has been developing "The Performance Lab" over the last 15 years at the Tamalpa Institute of San Francisco. He teaches anatomy of movement at the New College of California, and holds courses in Europe, Australia and New Zealand.
Anna Halprin, pioneer of contemporary dance and dance therapy, is the founder of the San Francisco Dancer's Workshop. In 1978 she founded the Tamalpa Institute, San Francisco, with her daughter Daria Halprin.
The Performance Lab consists of three days of intensive work, from the morning until late afternoon, and it explores various aspects of creative and therapeutic work. Specifically it is based on the study of ritual movement, the Life/Art Process method and mise-en-scène techniques (Performance).
Ritual Movement:
A systematic approach to the movement created by Anna Halprin at the San Francisco Dancer's Workshop. The movement is practised on the floor and is intended at developing the awareness of the body and mind, as well as developing flexibility, fluidity and longevity.
Life/Art Process:
It literally refers to "the process between life and art".
It is an artistic, creative and therapeutic journey which uses the various artistic mediums of movement, as body language, and drawing, as a visible form of the emotions.
Performance:
Work on the mise-en-scène through the use of movement, the voice and words. The participants are encouraged to draw on their own experience and personal myths.
General information:
The workshop is aimed at dancers, actors, teachers, therapists and anyone who is interested in movement, sound and word as creative/therapeutic possibilities.
The workshop will begin the evening of Thursday 16th July 2009. Registration of participants will take place from 5.30pm, followed by the welcome meal at 7pm, and then a presentation of the work and the leader.
The workshop will finish the afternoon of Sunday 19th July.
Fees and instructions for registration by 31st May:
(excluding hotel expenses)
4 days € 220 – 3 days € 190 – 2 days € 150
After 31st May:
4 days € 250 – 3 days € 220 – 2 days €180
Payment via bank transfer addressed to the Associazione TeatroDanzaSolaria (for bank details please contact the association). Registration closes on 30th June 2009.
Flexibility is given for those who participated in the 2008 edition.
The arrangement fee at the "agritourism" ranges from a minimum of € 50 to a maximum of € 65 according to the arrangement required.
It is full board, excluding drinks such as wine or beer.
Reservations are managed directly by the Associazione TeatroDanzaSolaria, and participants are kindly asked to communicate at the earliest possible date their own requests regarding hotel arrangements.
The number of participants is restricted. Requests will be accepted according to registration order (on a first come first served basis), especially with regards to en-suite rooms.
To find out more:
www.sotomotion.com
www.annahalprin.org
www.tamalpa.org
www.agriturismoburgazzi.it
For information on the Workshop:
Kyria 347.3592738
www.solariateatrodanza.org
| | Italian to English: Butoh dancing | Source text - Italian
Danziamo questa vita, danziamo questo corpo.
Tre giorni per incontrare il Butoh.
Pratiche fisiche: Yoga e ginnastica Noguci. Ascolto e recupero del movimento che risuona in una parte del corpo sempre in connessione con le altre parti del corpo, stando in relazione con la gravità.
La Camminata: neutra e con immagini.
Improvvisazione: ricerca del punto di partenza del movimento e della motivazione di danzare le varie fasi della vita e gli elementi naturali. Come e perché si muovono: il vento, il fuoco, l’uccello, il gatto e il serpente...?
Come e perché il corpo si muove nel dolore, nella gioia, nell’amore, nella rabbia, nella disperazione?
Yuko Ota è una danzatrice che vive tra Giappone e Francia, nata nel 1977 a Fukuoka (Giappone). Nel 1999 incontra Atsushi Takenouchi e da allora segue seminari con numerosi maestri Butoh: Yoshito Ohno, Toru Iwashita, Tenko Ima. Entra a far parte della compagnia Globe Jinen diretta da Atsushi Takenouchi.
Collabora con Spazio Nu - Danza e Movimento di Pontedera Pisa, creando performance e conducendo workshop.
ISCRIZIONI APERTE Sconto per chi si iscrive entro il 20 marzo.
3 giorni 170 euro (entro il 20 marzo)
3 giorni 190 euro (dopo il 20 marzo)
2 giorni 150 euro (sabato e domenica)
Tessera arci 10 euro
PER INFORMAZIONI ED ISCRIZIONI
Sonia: 333 65 36 059
oppure tramite mail info@solariateatrodanza.org
LUOGO Scorta Civica Marosi
Via Villapizzone 26 Milano
QUANDO 3, 4, 5 aprile
Venerdì dalle 19,00 alle 22,00.
Sabato e Domenica dalle 10,00 alle 18,00
Yuko Ota
http://millenary-euphoria.net
Butoh (“bu” significa danza e “toh” significa piede) nasce in Giappone intorno agli anni 50. Ha tante forme e facce infatti il Butoh mescola varie forma artistiche quali la danza, il teatro, l’improvvisazione. Alcuni aspetti del butoh sono la nudità del ballerino, il corpo dipinto di bianco, le smorfie grottesche ispirate al teatro classico giapponese, l'alternarsi di movimenti estremamente lenti con convulsioni frenetiche. Non esiste una messa in scena tipica del butoh. I suoi fondatori sono i due danzatori Kazuo Ohno e Tatsumi Hijikata.
| Translation - English
Let's dance this life, let's dance this body.
Three days to encounter Butoh.
Physical practice: Noguci yoga and gymnastics. Listening to and retrieval of the movement which resonates in a part of the body that is always connected to the other parts of the body, staying in touch with gravity.
The walk: neutral and with images.
Improvisation: the search for the starting point of movement and of the motivation to dance the various phases of life and the natural elements. How and why do wind, fire, birds, cats, snakes (etc.) move? How and why does the body move in pain, in joy, in love, in anger, in desperation?
Yuko Ota is a dancer who lives between Japan and France. She was born in 1977 in Fukuoka, Japan. In 1999 she met Atsushi Takenouchi and has since followed workshops with numerous Butoh masters such as Yoshito Ohno, Toru Iwashita and Tenko Ima. She is part of the company Globe Jinen, directed by Atsushi Takenouchi, and she also collaborates with the group Spazio Nu - Danza e Movimento di Pontedera Pisa (Dance and Movement of Pontedera Pisa), creating performances and conducting workshops.
REGISTRATION NOW OPEN – Reduction if you register before 20th March.
3 days 170 Euros (registration by 20th March)
3 days 190 Euros (registration after 20th March)
2 days 150 Euros (Saturday and Sunday)
ARCI (Italian recreational and cultural association) membership card 10 Euros
FOR INFORMATION AND REGISTRATION
Contact Sonia: 333 65 36 059
Or via e-mail info@solariateatrodanza.org
PLACE Scorta Civica Marosi
Via Villapizzone 26 Milano
WHEN 3rd, 4th, 5th April
Friday from 7pm til 10pm.
Saturday and Sunday from 10am til 6pm.
Yuko Ota
http://millenary-euphoria.net
Butoh ("bu" means dance and "toh" means foot) was born in Japan around the 1950s. It has many forms and faces, in fact Butoh mixes together the various artistic forms of dance, theatre and improvisation. Some aspects of Butoh include the nudity of the dancer, the body painted white, grotesque grimaces inspired by classical Japanese theatre and the alternating between extremely slow movements and frenetic convulsions. No typical Butoh mise-en-scène exists. Its founders are the dancers Kazuo Ohno and Tatsumi Hijikata.
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More Less | | Bachelor's degree - Durham University | | Years of translation experience: 4. Registered at ProZ.com: Mar 2009. Became a member: Mar 2012. | | N/A | Italian to English (United Kingdom: Durham University)
French to English (United Kingdom: Durham University)
| | N/A | | Adobe Acrobat, Adobe Photoshop, Microsoft Excel, Microsoft Word, Powerpoint, Wordfast | | Italian (PDF), English (PDF) | | Holly Carlile endorses ProZ.com's Professional Guidelines. | | About me
Legal Translator and Assistant (2008-present) in Milan, Italy.
Demystifying Legalese for Translators (2011-2012) courses in Milan on International Contracts, Alternative Dispute Resolution and Property Law, Wills and Trusts, led by American and British lawyer and former judge, Adele Fenstermacher.
Legal English translation courses (2010-2011) in Milan on International Contracts and Legal Process, led by lawyer and translator Serena de Palma.
2:1 BA Hons, Durham University (2004-2008) Modern Foreign Languages and Cultures ( French and Italian), including large focus on translation. Distinction in Spoken Italian and Spoken French.
British Council Language Assistantship (2007-08) in Lyon, France.
Product Assistant, Web Marketing, at Jobrapido (2007) in Milan, Italy.
TEFL qualification and teaching experience (2006-present) in France, England and Italy.
I am a young and highly motivated language graduate with a passion for translation. I currently live and work in Milan, Italy, for American law firm Orrick as a translator/proofreader/assistant.
I already have varied experience of translating and proofreading in English in the following fields:
General business and correspondence:
- business and legal letters, e-mails, faxes
- CVs, Cover letters, Certificates
Finance:
- fund and investment policies
- corporate governance reports
Legal and financial documents:
- privacy
- confidentiality agreements
- licence, trademark and shareholder agreements
- patents
- contracts
- court verdicts
- tax law
- codes of ethics
- notary deeds
Marketing/business
- presentations of company targets and strategies, esp. fashion and cosmetic industry
Fashion
- brochures and reports on new collections
- information for fashion shows
Websites
- dance workshops, such as Solaria TeatroDanza
Teaching documentation (often relating to TEFL)
In my spare time I teach French and English and also love to travel and discover new places.
I have a keen interest in cinema and music and am always interested in learning new things.
My experiences living abroad have made me a very independent and intercultural individual who loves a challenge, especially a linguistic one!
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