fijación sonora etc
English translation: sound/aural fixation
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| 13:55 Dec 1, 2001 |
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|  Selected response from: Nikki Graham United Kingdom Local time: 20:25 | ||||||
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Answers
8 mins confidence: 
audio and video reproduction Explanation: Good luck! |
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9 mins confidence:
recording and audiovisual (rights) Explanation: The terms the technical dictionary gives for fijación (fastening, clamping) do not fit into this context. I cannot imagine the sound being fastened or clamped. |
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20 mins confidence:
sound and audiovisual recording Explanation: After looking at some intellectual propery rights webpages I reckon this could be the best translation. As for "temas musicales"....I think "music tracks" would be appropriate. Good luck anyway, Paul |
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23 mins confidence: peer agreement (net): +1
peer agreement (net): +1audio and video recording Explanation: Sorry for the silly sugestion I've made above. I had misunderstood the context. Good luck! |
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1 hr confidence: peer agreement (net): +1
peer agreement (net): +1recording and filming rights Explanation: Another option. "fijación sonora y audiovisual" is a lawyer's barroque rendering of what we, regular guys, would call derechos de grabación y filmación. But if contracts were clearly written, what would we need lawyers for? :-))) Failure to reimburse the City within 30 days of the receipt of the invoice for additional expenses may result in the denial of future filming rights. www.redondo.org/fire/Public Education/filming Policy.htm Nice weekend! Patricia |
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1 hr confidence: peer agreement (net): +1
peer agreement (net): +1temas musicales Explanation: just to help out with the other bit songs tunes tracks numbers theme tunes (if for TV) HTH diccionario de t�rminos de marketing, etc. |
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1 hr confidence:
sound recordings and audiovisual works Explanation: From what I can see, these seem to be the terms commonly used in legal contexts. Hope this helps, Ailish. You've got so many options to choose from! Sheila http://zamlii.zamnet.zm/acts/1994/copyrt94.htm 13. [Audiovisual works and sound recordings] Copyright in an audiovisual work or sound recording shall expire http://www.riaa.org/Licensing-Licen-2.cfm Music videos are called "audiovisual works" . . . Using a sound recording in a movie, commercial or other visual work |
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12 hrs confidence: peer agreement (net): +2
peer agreement (net): +2aural and audiovisual fixation Explanation: I can hardly believe that I've found refernces to fixation either, and although I don't like it, it may have something to do with laws in certain countries. A work is ''fixed'' in a tangible medium of expression when its embodiment in a copy or phonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is ''fixed'' for purposes of this title if a fixation of the work is being made simultaneously with its transmission. ''Sound recordings'' are works that result from the fixation of a series of musical, spoken, or other sounds, but not including the sounds accompanying a motion picture or other audiovisual work, regardless of the nature of the material objects, such as disks, tapes, or other phonorecords, in which they are embodied. (above from 1st ref) Sound and audiovisual recordings usually involve a multiplicity of rights. In the case of published recordings they may include: 1. performances of published pieces of music which involve specific mechanical rights (mechanical rights are "generally understood as being the author’s right to reproduce literary, dramatic or musical works in the form of recordings (phonograms or audiovisual fixations), produced mechanically in the widest sense of the word including electro-acoustic and electronic procedures. The mechanical rights in musical works with or without accompanying words are usually administered by authors’ societies or other appropriate organizations. Some copyright laws provide for compulsory licenses to be granted to producers of phonograms of musical works and any words pertaining thererof." WIPO Glossary, p. 157); 2. the exclusive moral rights of authors in the words and of composers in the titles that have been recorded; 3. the performances themselves, which involve performer rights; 4. a recording right which is owned by the record company which released the recordings. Beyond these rights in the recorded item s there are other rights attached to the artwork, accompanying document ation (e.g. sleeve notes) and design which are associated with the packaging of the recording. http://www.llgc.org.uk/iasa/icat/04_0.htm -[Fixation: The incorporation of signs, sounds or images, or a combination thereof, in a physical material that enables them to be perceived, reproduced or communicated] -[Phonogram: Any exclusively aural fixation of sounds of a performance or of other sounds; phonographic and magnetic recordings shall be considered copies of phonograms;] -[Phonogram: any fixation of sounds of a performance or of other sounds, or a representation of sounds that are not [in the form of] a fixation included in [a cinematographic or] an audiovisual work;] -[Ephemeral Recording: Sound or audiovisual fixation of a performance or broadcast made for a finite period by a broadcasting organization by means of its own facilities and used for the transmission of its own broadcasts.] (2nd ref) Fijación: La incorporación de sonidos, imágenes o sonidos sincronizados con imágenes, o la representación de éstos, sobre una base material que permita su percepción, reproducción o comunicación al público. · Fonograma: Toda fijación exclusivamente sonora de una interpretación, ejecución o de otros sonidos, o de representaciones digitales o de cualquier forma de los mismos, sin tener en cuenta el método por el que se hizo la fijación ni el medio en que se hizo. · Grabación efímera: Fijación sonora o audiovisual de una representación o ejecución o de una emisión, de radiodifusión, realizada por un organismo de radiodifusión, utilizando sus propios medios, por un período transitorio y para sus propias emisiones de radiodifusión. http://www.mineco.gob.gt/plataforma/leyes/derecho_de_autor.p... In particular is should be noted that Article 10 of the Rome Convention states that "Producers of phonograms [any exclusively aural fixation of sounds of a performance or of other sounds] shall enjoy the right to authorize or prohibit the direct or indirect reproduction of their phonograms." http://www.diffuse.org/iprguide.html HTH Reference: http://www.lii.warwick.ac.uk/uscode/unframed/17/101.html Reference: http://www.ftaa-alca.org/ftaadraft/eng/ngipe_2.asp |
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1 day 14 hrs confidence:
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