This site uses cookies.
Some of these cookies are essential to the operation of the site,
while others help to improve your experience by providing insights into how the site is being used.
For more information, please see the ProZ.com privacy policy.
Spanish to English English to French French to English Portuguese to Spanish Portuguese to French Spanish to Portuguese Spanish to French French to Portuguese French to Spanish
This person has a SecurePRO™ card. Because this person is not a ProZ.com Plus subscriber, to view his or her SecurePRO™ card you must be a ProZ.com Business member or Plus subscriber.
Affiliations
This person is not affiliated with any business or Blue Board record at ProZ.com.
Services
Interpreting
Expertise
Specializes in:
Philosophy
Religion
History
Also works in:
Medical: Health Care
Tourism & Travel
Psychology
Cosmetics, Beauty
Food & Drink
Journalism
More
Less
Rates
Portuguese to English - Standard rate: 150 EUR per hour English to Spanish - Standard rate: 150 EUR per hour Spanish to English - Standard rate: 150 EUR per hour English to French - Standard rate: 150 EUR per hour French to English - Standard rate: 150 EUR per hour
Portuguese to Spanish - Standard rate: 150 EUR per hour Portuguese to French - Standard rate: 150 EUR per hour Spanish to Portuguese - Standard rate: 150 EUR per hour Spanish to French - Standard rate: 150 EUR per hour French to Portuguese - Standard rate: 150 EUR per hour French to Spanish - Standard rate: 150 EUR per hour
More
Less
Payment methods accepted
Visa, Wire transfer, Money order
Portfolio
Sample translations submitted: 4
Spanish to English: Pensamiento gráfico aumentado. Sistemas generativos y computational making General field: Other Detailed field: Architecture
Source text - Spanish Pensamiento gráfico y datos
Anticiparse a la transformación de una realidad física es la esencia del proyecto arquitectónico. El proyecto se realiza a partir de la representación de aquello que aún no existe en un contexto real o ilusorio. No hay dudas que la relación entre proyecto y representación es directa. Pero la representación del espacio en la arquitectura es un problema complejo. Adquirir la capacidad de representación está asociado al desarrollo de la comprensión del espacio y sus propiedades: en un proceso mental abstracto se traslada propiedades físicas de un mundo tridimensional a otro bidimensional, mediante una interpretación de las propiedades materiales las que se reducen a simples esquemas geométricos codificados. La creación de las técnicas y los métodos de representación del espacio ha sido uno de los recursos más importantes en el desarrollo y evolución del pensamiento en la arquitectura y la cultura de occidente.
Podemos definir el acto de imaginar formas en el espacio como la búsqueda incesante de algo que aún no conocemos, como un esfuerzo por imprimir ese contenido desconocido en nuestra propia mente, una impresión de la cual no somos conscientes de haber recibido hasta que nos vemos confrontados súbitamente con la misma imagen que estamos buscando con nuestra mente consciente. Este es precisamente, el momento del descubrimiento en el que es posible construirla. Según Alfonso Corona Martínez, el acto de proyectar se nos presenta como un esfuerzo para elevar el contenido desconocido a una posición en la que puede ser identificado para luego ser reconocido y conceptualizado como contenido tangible, presentable en términos cognitivos. Es decir, como una descripción progresiva de un objeto que no existe al comenzar la descripción. De esta manera, el proceso de diseño lo concibe como una serie de transformaciones de un estado inicial caracterizado por un bajo nivel de información y un alto nivel de incertidumbre, hasta un estado final de alta información y baja incertidumbre. Como ya sabemos, entre el objeto de diseño y su imagen, media un complejo mecanismo de percepción, de ideación y de conocimiento difícil de encausar en simples procesos lógicos, lineales y previsibles. Pero no hay dudas, que la información adquirida, los datos manipulados, consciente o inconscientemente son clave y determinantes para el proceso creativo.
Translation - English Graphic thinking and data
The essence of the architectural project is to anticipate the transformation of a physical reality. The project is carried out based on the representation of that which does not yet exist in a real or illusory context. There is no doubt that the relationship between project and representation is a direct one, although the representation of space in architecture is a complex problem. Acquiring representation abilities is associated with developing an understanding of space and its properties; the physical properties of a three-dimensional world are transferred to a two-dimensional one in an abstract mental process, through an interpretation of material properties that are reduced to mere codified geometrical schematics. The creation of techniques and representation methods of space was one of the most important resources in thought development and evolution in architecture and Western culture.
The act of imagining shapes in space can be defined as the incessant search for something we do not yet know, as an effort to etch this unknown content in our own minds, an etching we are not aware of until we are suddenly faced with the same image we are seeking with our conscious mind. This is precisely the moment of discovery in which it is possible to build it. According to Alfonso Corona Martínez, the act of projecting is understood as an effort to lift the unknown content to a position in which it can be identified, then recognised and conceptualised as a tangible concept that is presentable in cognitive terms; that is, as a progressive description of an object that does not exist when the description starts. In this way, the design process conceives it as a series of transformations from an initial state, characterised by a low level of information and a high level of uncertainty, to a final state of high information and low uncertainty. As we already know, a complex mechanism of perception, conception and knowledge mediates between the object of design and its image. This mechanism is hard to channel into simple logical, linear and predictable processes. However, there is no doubt that the acquired information and the manipulated data are, consciously or unconsciously, essential and decisive to the creative process.
Portuguese to French: Rapport de synthèse PastaBox Brésil General field: Marketing Detailed field: Cooking / Culinary
Source text - Portuguese O mercado brasileiro de refeições ready-to-eat é dominado pelas soluções congeladas, mas há espaço para crescimento das soluções frescas – que parecem ser mais saudáveis e saborosas
PastaBox ainda é uma novidade. Percebida como uma refeição pronta de massa fresca, destaca-se pela praticidade e principalmente pela rapidez, sendo a única que está efetivamente pronta em apenas 2 minutos
Suas receitas são atrativas e agradam aos olhos e ao paladar da maioria, aproximando-se do sabor caseiro. Entretanto, apesar do apelo sensorial, atende mais a demandas funcionais do que emocionais, adequando-se a ocasiões de consumo em que não há tempo e/ou disposição para preparar uma refeição
Como sua oferta está limitada às porções individuais, PastaBox não é vista como uma solução gregária, distanciando-se dos momentos de lazer/prazer em que o consumo de produtos prontos é compartilhado
Não há percepção de boa relação custo-benefício, já que seu preço é caro em relação à concorrência e ao que a própria Sodebo entrega (quantidade insuficiente para saciar – principalmente os homens)
Outras vulnerabilidades no marketing mix prejudicam sua penetração no mercado, em especial as relacionadas à comunicação e distribuição – a marca é desconhecida, não divulgada e difícil de ser encontrada
Translation - French Le marché brésilien des repas prêts-à-manger est contrôlé par les solutions surgelées, mais il y a de l’espace pour une hausse de solutions fraichement préparées – qui semblent plus saines et savoureuses
PastaBox est encore une nouveauté. Perçue comme un repas prêt, fait de pâtes fraiches, elle sort du lot dû à son côté pratique et surtout par sa vitesse, étant la seule qui est effectivement prête en à peine 2 minutes
Ses recettes sont alléchantes et agréables aux yeux et au palais de la plupart des gens, car elles rappellent le goût des repas faits maison. Cependant, malgré cette tentation sensorielle, elles répondent aux demandes fonctionnelles plutôt qu’aux demandes émotionnelles, en s’adaptant aux occasions de consommation dans lesquelles il n’y a pas de temps et/ou de disposition pour préparer un repas
Puisque son offre est réduite aux portions individuelles, PastaBox n’est pas perçue comme solution grégaire, se distançant des moments pause/temps libre dans lesquels la consommation de produits prêts est partagée
Il n’y a pas de perception d’une bonne relation prix-avantage, puisque son prix est cher comparé aux produits en concurrence et à ce que la propre Sodebo livre (quantité insuffisante à la satiété – surtout pour les hommes)
D’autres faiblesses dans le marketing mix nuisent à sa pénétration dans le marché, surtout en ce qui concerne la communication et la distribution – la marque est inconnue, pas répandue et dure à trouver
Spanish to French: Sur les cas limites et les limites des pratiques de soins en psychanalyse General field: Science Detailed field: Psychology
Source text - Spanish Pretendemos, en este artículo, indicar la relevancia de la discusión acerca del "límite" en psicoanálisis. En los casos límite, se reconoce el compromiso en la constitución de fronteras en el siquismo, lo que resulta en dificultades diagnósticas y en el manejo trasferencial. Proponemos que es la indiferencia del Otro lo que fomenta la negatividad reactiva encontrada en estos casos, haciendo que, en clínica, la presencia sensible del psicoanalista sea convocada para fomentar la experiencia del cuidado.
Translation - French Nous prétendons, dans cet article, indiquer la pertinence de la discussion sur la "limite" en psychanalyse. Dans les cas limites, on remarque l'engagement d'établir des limites au psychisme, ce qui aboutit en difficultés diagnostiques et en gestions de transferts. Nous proposons que c'est l'indifférence de l'Autre qui encourage la négativité réactive retrouvée dans ces cas, ce qui cause, en clinique, la convocation de la présence sensible du psychanalyste pour promouvoir l'expérience du soin.
English to Portuguese: Dandelion Wishes General field: Art/Literary Detailed field: Poetry & Literature
Source text - English Not all lions roar, some were meant to glow graciously.
Dandelion didn’t like to roar and scare people.
Besides he was the tiniest lion anyone had ever seen. No one would have been scared of him, and he didn’t want them to be scared either.
He also didn’t like the word tiny. He preferred dainty. Despite his size he never felt tiny.
Translation - Portuguese Nem todos os leões rugem. Alguns foram feitos para brilhar graciosamente.
O Dente-de-leão não gostava de rugir e de assustar as pessoas.
Além do mais, era o leão mais diminuto que alguém houvesse jamais visto. Ninguém teria se assustado com ele, e ele também não queria que se assustassem.
Ele também não gostava da palavra “diminuto”. Preferia ser apenas meigo, um doce de leão. Apesar de seu tamanho, ele nunca se sentiu diminuto.
More
Less
Translation education
Graduate diploma - Alumni Translation and Interpretation
Experience
Years of experience: 9. Registered at ProZ.com: Jul 2017.
An interpreter with 6+ years of experience ensuring that a diverse range of messaging is localized for global audiences.
Wields the languages English, Spanish, Portuguese, and French to conduct live & consecutive interpretations during
speeches, panel discussions, lectures, and diplomatic summits. Highly adept at harmonizing the vision of international
stakeholders by converting complex technical information into accessible terms that enable informed decision-making
about matters of healthcare, policy, and governance. Seeking the next professional challenge as an interpreter whose
efforts in real-time guarantee that event attendees understand all verbal communications.
Expertise