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EN>ES translator specialized in audiovisual material, video games, films, software and apps
Account type
Freelance translator and/or interpreter, Verified site user
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English to Spanish: The Hoobs Extract General field: Art/Literary Detailed field: Cinema, Film, TV, Drama
Source text - English HUBBA HUBBA:
Well, take a look at this story I've found on Hoobnet. It might just help.
SCENE 10. ANIMATED STORY / RECREATION AREA. INT.
IVER
Boing, boing!
NARRATOR:
Edwin Elephant decided to paint a picture. He tried to hold the paintbrush with his trunk but the paintbrush was very small and his trunk was very big.
IVER
Oh, he’s crying!
NARRATOR
"You can’t paint a picture” laughed Joseph Giraffe, “You’re too big!” Edwin tried to dip the paintbrush into the pot of paint but the paint pot fell over. SPLOSH! All over his piece of paper. "You can't paint a picture,"
laughed Martin monkey, "You're too clumsy."
Eddie was cross. He made a loud trumpeting sound through his trunk. And this made the paint on the paper spread out into a lovely pattern.
IVER
Look!
NARRATOR
"That looks rather good, actually." said Martin Monkey.
Edwin tipped some more paint onto his paper and blew through his trunk. More lovely patterns were made. “That looks very good indeed!” said Joseph Giraffe.
Soon all the animals in the jungle came to see Edwin’s amazing trunk blowing picture. “It just goes to show that you can be big and clumsy and still paint pictures” he said.
Translation - Spanish HUBBA HUBBA
Venga, mirad esta historia que he encontrado en Interhoob. Puede que os ayude. (RÍE)
IVER
(DE) Boin, boin.
NARRADORA
(OFF) El elefante Elías quiso hacer un dibujo.
EL ELEFANTE ELÍAS
(GESTO)
NARRADORA
(OFF) Intentó sujetar el pincel con la trompa, pero el pincel era muy pequeño y su trompa era muy grande.
EL ELEFANTE ELÍAS
(P) (GESTOS)
IVER
¡Oh! ¡Está llorando!
LA JIRAFA JERO
No puedes pintar con pincel.
EL ELEFANTE ELÍAS
(P) (GESTO)
NARRADORA
(OFF) Se burló la jirafa Jero.
LA JIRAFA JERO
¡Eres demasiado grande!
EL ELEFANTE ELÍAS
(GESTOS)
NARRADORA
(OFF) Elías intentó mojar el pincel en la pintura, pero el bote se cayó al suelo. ¡Plaf! Manchó toda la hoja de papel.
EL ELEFANTE ELÍAS
(P) (GESTOS)
EL MONO MANU
No puedes pintar con pincel. (RÍE)
NARRADORA
(P) (OFF) Se burló el mono Manu.
EL MONO MANU
Eres demasiado torpe.
EL ELEFANTE ELÍAS
(GESTO)
NARRADORA
(OFF) Elías se enfadó. Hizo sonar su trompa como si fuera una trompeta. / Y la pintura del papel se extendió formando un dibujo precioso.
IVER
¡Mirad!
EL MONO MANU
(GESTO) Eso es muy bonito, la verdad.
NARRADORA
(OFF) Dijo el mono Manu.
EL ELEFANTE ELÍAS
(GESTOS)
NARRADORA
(OFF) Elías echó más pintura en la hoja y sopló por la trompa. / Aparecieron dibujos aún más bonitos.
EL ELEFANTE ELÍAS
(P) (GESTOS)
LA JIRAFA JERO
¡Eso sí que es bonito!
NARRADORA
(OFF) Dijo la jirafa Jero. / En seguida, todos los animales de la selva fueron a ver los maravillosos dibujos de Elías.
ANIMALES
(P) (GESTOS)
EL ELEFANTE ELÍAS
Así se demuestra que aunque seas grande y torpe puedes hacer dibujos con pincel.
NARRADORA
(OFF) Dijo.
HOOBS
(DE) (GESTOS)
English to Spanish: FFX Extract General field: Art/Literary Detailed field: Gaming/Video-games/E-sports
Source text - English (45 characters x 3 lines maximum)
TIDUS Listen to my story.
TIDUS This may be our last chance.
CHILD A Can you sign this?
TIDUS No prob!
CHILD B Pleeeease?
TIDUS All righty.
CHILD C Me too!
TIDUS Take it easy.
GIRL A Can I have your autograph?
TIDUS Of course!
GIRL B Good luck tonight!
TIDUS Nothing to worry about!
TIDUS Oh, if I score a goal...
TIDUS I'll do this!
TIDUS That will mean it was for you, okay?
GIRL AB [Surprise, then joy]
TIDUS What seat?
GIRL A East block, in the front row!
GIRL B Fifth from the right!
TIDUS Got it!
TIDUS Well, gotta go!
Cheer for me!
Translation - Spanish (45 characters x 3 lines maximum)
TIDUS Escuchad esta historia.
TIDUS Puede que no tengamos otra oportunidad.
CHILD A ¿Puedes firmármelo?
TIDUS ¡Pues claro!
CHILD B Porfa.
TIDUS Por supuesto.
CHILD C ¡A mí también!
TIDUS Tranqui.
GIRL A ¿Me das tu autógrafo?
TIDUS Claro que sí.
GIRL B ¡Mucha suerte esta noche!
TIDUS No va a ser difícil.
TIDUS Ah, si meto un gol…
TIDUS haré esto.
TIDUS Para dedicároslo, ¿vale?
GIRL AB
TIDUS ¿Dónde estaréis?
GIRL A En la zona este, en la primera fila.
GIRL B El quinto sitio desde la derecha.
TIDUS Vale.
TIDUS Bueno, me largo.
¡Dadme ánimos!
English to Spanish: QI G05 Extract (TV show) General field: Art/Literary Detailed field: Media / Multimedia
Source text - English Lee
I hate the late mergers in the bar queue, that's worse. When you're six deep at the bar and they just get in on the edge…
Alan
Or I… you're at the bar, someone at the back taps the bloke next to you and says "Get us a couple of pints, will you?"
Stephen
Ah. Or when you're at the bar and someone leans forward with money and they get served first just because they're on television. [suddenly gets sheepish look]
Bill
Mister Fry, go away Sir.
Alan
"Make way! Make way! Lord Fry wants a couple of ports."
Bill
"Hear hear! On his bicycle with his hockey stick, make way, make way I say!"
Alan
"Here's your bottle here, Mister Fry" [pretends to pop a cork and pour a drink]
"Clear that table! Get up, get out!" [pretends to shoot the patrons and toss them out]
Bill
"Can anyone here sing the Lord's prayer in Latin? No? Get out, all of you!"
Alan
"Throw that man on the fire…"
Translation - Spanish 00:00:47:16
00:00:48:45 Yo odio a los colotas
00:00:48:81
00:00:50:88 en el bar. Tienes gente delante
00:00:51:04
00:00:53:50 -y se cuelan por el lado.
00:00:53:72
00:00:55:56 Cuando le dan un golpecito
00:00:55:88
00:01:00:02 al que tienes al lado y dicen:
”¿nos pides un par de pintas?”.
00:01:00:74
00:01:04:81 O cuando sacan su dinero
y les atienden porque son de la tele.
00:01:08:90
00:01:10:07 ”Venga, Sr. Fry.”
00:01:12:41
00:01:13:50 ”¡Abran paso!”
00:01:15:30
00:01:16:53 ”Lord Fry
00:01:16:88
00:01:18:29 quiere un oporto.”
00:01:19:86
00:01:22:51 ”Viene en bici, con un bastón.
¡Abran paso!”
00:01:23:88
00:01:24:92 ”Su botella, Sr. Fry.”
00:01:27:27
00:01:28:89 ”La mesa libre.
00:01:29:21
00:01:30:37 ¡Largo! ¡Largo!”
00:01:35:63
00:01:36:89 ”¿Sabe alguien recitar
00:01:37:17
00:01:39:89 el padrenuestro en latín?
¿No? ¡Fuera!”
00:01:40:80
00:01:42:25 ”Ese hombre al fuego.”
English to Spanish: Lamb to the Slaughter, by Roal Dahl General field: Art/Literary Detailed field: Poetry & Literature
Source text - English "Listen," he said. "I've got something to tell you."
"What is it, darling? What's the matter?"
He became absolutely motionless, and he kept his head down.
"This is going to be a big shock to you, I'm afraid," he said. "But I've thought about it a good deal and I've decided that the only
thing to do is to tell you immediately." And he told her. It didn't take long, four or five minutes at most, and she sat still through it
all, watching him with puzzled horror.
"So there it is," he added. "And I know it's a tough time to be telling you this, but there simply wasn't any other way. Of course, I'll
give you money and see that you're taken care of. But there really shouldn't be any problem. I hope not, in any case. It wouldn't be
very good for my job."
Her first instinct was not to believe any of it. She thought that perhaps she'd imagined the whole thing. Perhaps, if she acted as
though she had not heard him, she would find out that none of it had ever happened.
"I'll fix some supper," she whispered. When she walked across the room, she couldn't feel her feet touching the floor. She couldn't
feel anything except a slight sickness. She did everything without thinking. She went downstairs to the freezer and took hold of the
first object she found. She lifted it out, and looked at it. It was wrapped in paper, so she took off the paper and looked at again --- a
leg of lamb.
All right, then, they would have lamb for supper. She carried it upstairs, held the thin end with both her hands. She went into the
living room, saw him standing by the window with his back to her, and stopped.
"I've already told you," he said. "Don't make supper for me. I'm going out."
At that point, Mary Maloney simply walked up behind him and without any pause, she swung the big frozen leg of lamb high in
the air and brought it down as hard as she could on the back of his head. She might as well have hit him with a steel bar.
She stepped back, waiting, and the strange thing was that he remained standing there for at least four or five seconds. Then he
crashed onto the carpet.
Translation - Spanish ―Escucha, tengo algo que decirte.
―¿Qué, cariño? ¿Qué es lo que pasa?
Él se había quedado totalmente inmóvil, con la cabeza agachada, de modo que la luz de la lámpara que estaba junto a él le iluminaba la parte superior de la cara y le dejaba la boca y la barbilla en la sombra. Ella se fijó en que un pequeño músculo le palpitaba cerca del rabillo del ojo izquierdo.
―Esto te va a dejar un poco descolocada, me temo ―dijo―, pero he pensado mucho en ello y he decidido que lo único que puedo hacer es contártelo de una vez. Espero que no me lo reproches demasiado.
Entonces se lo dijo. No le llevó mucho tiempo, unos cuatro o cinco minutos como máximo. Ella permaneció sentada, muy quieta, observándolo con horror alejarse más y más de ella con cada palabra.
―Eso es todo ―añadió―. Ya sé que es un mal momento para decírtelo, pero no había otra manera. Te daré dinero, por supuesto, y me ocuparé de ti. Pero no hace falta montar un escándalo, espero. No sería bueno para mi trabajo.
Su primer impulso fue no creerse nada, no hacer caso. Se le ocurrió que, quizás, él ni siquiera había abierto la boca, que se lo había imaginado todo ella. Puede que, si seguía con sus tareas como si no hubiera oído nada, más adelante, cuando se despertara de este sueño, descubriría que nada había sucedido.
―Voy a hacer la cena ―susurró.
Esta vez él no se lo impidió. Al cruzar la habitación, Mary no era capaz de sentir el suelo que pisaba. No sentía nada, salvo un ligero mareo y ganas de vomitar. Era como una autómata. Bajó a la despensa, encendió la luz, abrió el congelador, metió la mano y agarró el primer objeto que encontró. Lo sacó y lo miró. Estaba envuelto en papel, así que se lo quitó y volvió a mirarlo.
Era una pierna de cordero.
Muy bien, pues pierna de cordero para cenar. La llevó arriba agarrándola por el hueso con las dos manos. Cuando entró en el salón, vio a su marido de pie junto a la ventana, de espaldas a ella. Se detuvo.
―Por Dios santo ―dijo al oírla llegar, sin darse la vuelta―, no me hagas la cena. Voy a salir.
En ese momento, Mary Maloney se acercó a él por detrás y, sin detenerse ni un instante, levantó la pierna de cordero y se la hundió lo más fuerte que pudo en la parte posterior de la cabeza. Fue como golpearle con una barra de hierro. Después, dio un paso hacia atrás y esperó. Lo curioso fue que él permaneció de pie, tambaleándose, durante cuatro o cinco segundos, hasta que finalmente se derrumbó sobre la alfombra.
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Translation education
Master's degree - Universidad Autónoma de Barcelona
Experience
Years of experience: 13. Registered at ProZ.com: Apr 2013.
English to Spanish (Universidad Autònoma de Barcelona) English to Spanish (Universidad Autónoma de Madrid) English to Spanish (Ministry of Foreign Affairs)
Memberships
N/A
Software
Alchemy Publisher, DejaVu, memoQ, Microsoft Excel, Microsoft Office Pro, Microsoft Word, OmegaT, Powerpoint, Trados Studio, Wordfast
Irene Igualada Baeza English > Spanish Experienced Audiovisual Translator | Video games, apps, web pages, films and advertising
• Professional experience as an in-house translator and team lead • Specialized education • Skilled proofreader • Expert in linguistic testing and QA • Management and organizational skills • Effective communication with team members around the world
Achievements
› Regularly delivered 4,000 words a day as an in-house translator
› 800,000 + words translated
› 2014 Juror’s Award for best translation of a video game –www.locjam.org
› Promoted to a Lead position
› Recruited and coached two in-house translators
› Directed a last-minute translation project of 20,000 words
› Master’s Thesis in Creative Translation graded A
…………………………………………………………………………………………………………………………………………………
The thing that I love most in this world is to be told a good story. That story may come from the yellowing pages of an old book, the flickering glare of cathode ray tubes at midnight, or even the tiny screen of a smartphone while I’m gripping a subway’s handrail. Eventually I discovered that there is a way I can create stories like these myself: through translation. That is, rewriting, transcreating, telling these stories in my language the way my friends and I would love to hear them.
I translate from English into Spanish (my mother tongue) and I’m specialized in Audiovisual Translation – scripts for subtitling and dubbing, web pages, software, multimedia, advertising and video games. I’ve been in the translation business for four years, and the bulk of my work experience comes from my time at Kabam Europe where, first as Game Translator and later as Translation Team Lead, I devoted myself full time to the translation of free-to-play browser and mobile video games of different genres, daily promotions, advertising and web pages, in addition to managing a team of in-house and external translators. I’m also an expert in testing and linguistic QA and have completed a Masters in Audiovisual Translation at the Universidad Autónoma de Barcelona, where I acquired the particular skills needed for my specialization thanks to the best Spanish professionals in the field.
Now I’m flying solo, and I’m looking forward to work with any professionals that are passionate about their products and the stories they can tell us.
…………………………………………………………………………………………………………………………………………………
Winner of LocJam 2014 –professional translation to European Spanish of the open source game The Republia Times.
Check my winning entry!
http://bit.ly/IreneIgualadaBaeza
Proyects.
• Quality control of audio and subtitles for an on-line streaming service.
• Localization of casual mobile games.
• Localization of a point-and-click adventure video game.
• Localization of The Lord of the Rings: Legends of Middle-earth.
• Strategy guide for an action role-playing slash game.
• Strategy guides for shooter video games.
• Strategy guide for a life simulation video game.
• Apps and app marketing.
Total or partial localization, translation of all in-game promotions, advertising for target market and QA and linguistic testing of:
• The Hobbit: Kingdoms of Middle Earth (Hit Strategy Game on iOS and Android!)
• The Hobbit: Armies of the Third Age
• Kingdoms of Camelot: Battle for the North (Hit Strategy Game on iOS and Android!)
• Dragons of Atlantis: Heirs of the Dragon (Hit Strategy Game on iOS and Android!)
• Fast & Furious 6: The Game
• Blastron (my personal favourite ;) )
• The Godfather: Five Families
• Dragons of Atlantis
• Kingdoms of Camelot
• Heroes of Camelot
• Dark District
• Blast Zone!
• Realm of the Mad God (a classic)
• Edgeworld
• Arcane Empires
• Imperium
• Kabam Slots
Keywords: Spanish, video games, videogames, subtitling, dubbing, Spain, marketing, app, apps, translation. See more.Spanish, video games, videogames, subtitling, dubbing, Spain, marketing, app, apps, translation, localization, transcreation, web page, experienced, Kabam. See less.
